Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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Albert Bierstadt Die Rocke Mountains oil painting


Die Rocke Mountains
mk181 1863 New York
Painting ID::  45271
Albert Bierstadt
Die Rocke Mountains
mk181 1863 New York
   
   
     

Albert Bierstadt Der Letzte Buffel oil painting


Der Letzte Buffel
mk181 1889 Cody
Painting ID::  45272
Albert Bierstadt
Der Letzte Buffel
mk181 1889 Cody
   
   
     

Albert Bierstadt Ein Sturm in den RockY Mountains,Mount Rosalie oil painting


Ein Sturm in den RockY Mountains,Mount Rosalie
mk181 1866 Ol auf Leiwand 210.8x361.3cm
Painting ID::  45364
Albert Bierstadt
Ein Sturm in den RockY Mountains,Mount Rosalie
mk181 1866 Ol auf Leiwand 210.8x361.3cm
   
   
     

Albert Bierstadt Attack on a Picket Post oil painting


Attack on a Picket Post
mk195 1862 Oil on canvas 15x17
Painting ID::  49237
Albert Bierstadt
Attack on a Picket Post
mk195 1862 Oil on canvas 15x17
   
   
     

Albert Bierstadt The last Mossback oil painting


The last Mossback
mk212 1888 Oil on canvas 180.7x301.6cm
Painting ID::  50557
Albert Bierstadt
The last Mossback
mk212 1888 Oil on canvas 180.7x301.6cm
   
   
     

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     Albert Bierstadt
     German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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